Beyond all rights and wrongs…

August 25, 2013 at 12:22 am | Posted in alexander technique, art, Books, tai chi | Leave a comment
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‘Beyond all rights and wrongs, there is a field – I will meet you there.’

Rumi said that. I found it in Richard Brennan’s Alexander Technique: Change your posture, change your life. It’s in the Canberra public library system and fairly recent. It’s a good book with some wonderful quotations in it. Who was Rumi? Sounds a bit Sufi. I almost don’t want to do the research because I want to retain the mystery for myself. The quotation sounds like someone promising to meet one after death. Even though I don’t understand that quotation I keep coming back to the poetry of it. It sounds profound; I just don’t know exactly why yet.

It’s something to do with there being no judgement, just pure acceptance. It makes me want to sigh with a deep sense of expansive, relaxed happiness. Even if I did the research and thought about it, and teased out and analysed the quotation to the Nth degree I suspect that a part of it would still elude me, and that’s fine. Part of the power of art is its mystery. It must retain some enigmatic quality if we are to keep wanting more of it, keep coming back to it, keep watching it or listening to it or yearning for it.

It also reminds me of some psychic once saying that all those young soldiers who died on the battlefields who were on different sides – there are no sides where they are now; those boys from opposing countries are on the same side now and having a good time together. (Now it’s girl soldiers as well.) No matter what your beliefs in the afterlife are, I reckon it still puts things in perspective. One of my beliefs is that our similarities are much stronger than our differences. It’s not in the interests of certain politicians and the big weapons dealing corporations to have people think like this but left to their own devices, most people would.

‘Beyond all rights and wrongs, there is a field – I will meet you there.’ I just want to repeat it. Such a peaceful and beautiful thought. Like that famous line from one of my favourite poets, Andrew Marvell: ‘To a green thought in a green shade.’ From his poem The Garden. You just want to repeat that too, don’t you? – á green thought in a green shade.’ And sigh with bliss at the perfection of that line.

Back to more prosaic things, in the same Alexander Technique book by Richard Brennan, he quotes Ram Dass: ‘Life is not an emergency.’ p. 78. It does our bodies and minds much harm to rush through life. I have rushed through a lot of my life, but I’ve achieved heaps! Makes me feel good, even though in the writing field I’ve probably published about a tenth of what I’ve actually written! I’m proud of finishing my degrees and of my careers and achieving stuff in spite of life always throwing massive obstacles in my way. But someone always is there to help me – fantastic counsellers etc. who come into my life just at the right time. And then you really must slow down – there is no rushing some things. But my instinct is to rush! Driven by curiosity and a hungry impatience to know. However, I’ve learnt to slow down more these days and it feels good.

Brennan writes that posture is the outward expression of how you feel inside. It’s not something many people in our society are aware of now. The author describes what we get from the Alexander Technique as a feeling of lightness and ease that is brought about by all the parts of the body working in unison rather than in conflict. This gives a sense of peace, oneness and awareness.

It sounds like Sarah Wilson on meditation, which she does every day. See her recent blog on it at http://www.sarahwilson.com.au

Tai Chi is a kind of meditation too. It certainly is at the pace that my teacher does it on the DVD I bought. It’s really hard for me to slow down that much! I can do all the moves okay but I want to race through them! That is not the way you’re supposed to do it. I’m learning but it’s hard. It’s something you can improve at every day though, and that’s always a good feeling.

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