Alba Donati: a cottage full of books

June 12, 2023 at 4:15 am | Posted in Alba Donati, Bookshops, Diary of a Tuscan Bookshop, gardening, Living creatively, stress management, value of the arts | Leave a comment
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Diary of a Tuscan Bookshop by Alba Donati. Trans. By Elena Pala. (Weidenfeld & Nicholson, 2022. 193 pp)

People want stories

In December 2019 Alba Donati opened her bookshop in Lucignana, her home town, a village of 180 people. The bookshop sat on a two and a half metre site on a craggy hill. Just before Covid, in the middle of nowhere – surely a venture destined to fail. But no: in the hands of the right person, such a seemingly mad undertaking can be just what people need, and people came and are still coming to her little bookshop.

She writes: ‘People want stories; it doesn’t matter who wrote them, they need stories to take their minds off things, stories to identify with or take them elsewhere. Stories that won’t hurt, that will heal a wound, restore trust, instil beauty into their hearts.’

A child who loves the bookshop is Angelica, always looking for a ‘different’ book. And ‘when she says “different” she narrows her eyes, leaving this world behind and travelling back in time.’ The author sees herself in Angelica, ‘Finally revisiting my childhood without fear. Because childhood is a trap: there are beautiful things and ugly things, you just have to find a magic wand to turn one into the other. Now that I’ve got my cottage full of books, I have nothing to worry about.’

Family dynamics and gardening

Diary of a Tuscan Bookshop seems to be simply quotidian simplicity, sprinkled with perfect sentences like this: ‘One last glance at the jasmine in full bloom and I retreat into my tower, happy.’ Nothing much happens but we read on, captivated. This book has a sense of quietly building energy with the concentrated power of a haiku. This shouldn’t surprise us because, before starting her bookshop, amidst a busy professional life in the Italian publishing industry, Donati also found time to write award-winning poetry.

In this short bookshop diary, Donati gives us a captivating memoir, with profound insights into themes such as family dynamics and gardening. She claims a sixth sense in bringing people together who belong together. For instance, she persuades her estranged brother to visit their mother in hospital, ‘like a normal sister would. It took me fifty-five years to bring us together again, and forty-eight to get Mum and Dad on speaking terms again.’ She continues: ‘I’m nothing if not patient, working away in my little corner, always looking like I’m busy doing something else. Sometimes it takes a lifetime to heal a wound, other times you just have to forget about it, think of something else, cry over something else. It’s just another job, really, or perhaps more of a vocation: I’m a bookseller who specialises in fixing things.’ Continue Reading Alba Donati: a cottage full of books…

Wide windows and a wet, wet spring – Creativity flowering in Braidwood

November 16, 2022 at 8:16 pm | Posted in art, arts and health, Australian novels, creative cross-fertilisation, creative synergy, creativity, gardening, Inequality, media negativity, optimism, Simplifying, sustainable living | Leave a comment
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Why garden? Why write? …

‘Set wide the window. Let me drink the day.’ American writer Edith Wharton said that and I think of it often since moving to the country. These days, still in La Nina, our well overflowing and the creek rushing and rising as rain continues to fall, drinking the day can take on a literal sense!

The garden is jungly and a deep, glossy green, with everything flowering in this wet, wet spring. Some plants flourish but it’s hard to keep others alive if they don’t like their feet wet, yet must stand in waterlogged soil. Then again, as Edith Wharton’s compatriot May Sarton reminds us: ‘A garden is always a series of losses, set against a few triumphs, like life itself.’

Writing too is like this, with many rejections to set against one’s few triumphs. With the uncertainty, rejection and loss, why do we garden, why do we write? – For the joy of creative expression. While submitting my novel (A Late Flowering) I’ve been working on a new one – to dive into during my next writer’s residency in Nov-Dec. 2022. Just after the last OS writing residency we plunged into Covid lockdowns. During the subsequent enforced lack of social life, and therefore writing on a deeper level than ever before, I made a discovery: how to structure a novel. A Late Flowering is the result, and this new one will also benefit. Structure was the weakness in my fiction writing (and I sometimes wondered if it was related to the same neural short-circuit or shortcoming that also deprives me of a sense of direction).

Structuring non-fiction books is reasonably straightforward. Structuring a novel is so much more elusive. And it’s vital. Structure is to novel-writing what location is to real estate. It’s not simple. Except for genre novels, which I don’t write, there’s no template since each novel is different, but I’ll go to Ireland again with this new understanding, so can anticipate achieving exciting things.

Stimulating creativity

And travel is so stimulating. I don’t even feel guilty for the air miles – for a couple of decades I couldn’t afford to go overseas, at a time when many people I knew were going once a year. When I return I can also incorporate some new ideas into another series of Kick-Start Your Creativity workshops (late Jan. to Feb. 2023). See https://www.bragart.com.au Continue Reading Wide windows and a wet, wet spring – Creativity flowering in Braidwood…

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